Cantate con violini

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Cantata à voce sola con violini
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Cantata à voce sola con violini
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Cantata à voce sola con violini
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Cantata con violini
£6.95
Cantata con violini
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Cantata con violini
£5.95
Cantata spirituale con violini
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Cantata con violini: Justice
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Cantata à soprano solo con violini
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Cantata à soprano solo con violini
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Cantata à soprano con violini
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Cantata à soprano solo con violini
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Cantata à voce sola con violini
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Cantata à voce sola con violini
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Cantata à voce sola con violini
£5.95
Cantata à voce sola con violini
£5.95
Cantata à voce sola con violini
£5.95
Cantata à voce solo con violini
£5.95
Cantata à voce sola con violini
£5.95
Cantata à voce sola con violini
£5.95
Cantata à voce soprano con violini
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Cantata à voce sola con violini
£5.95
Cantata con flauto e stromenti
£6.95
Collection of cantatas for soprano
£9.95
Cantata con violini
£5.95
D Scarlatti: Scritte con falso inganno
Forces: soprano, violins & continuo

In receipt of a 'Dear Jane' letter our protagonist questions everything about it: "...What do you mean by your words 'I am not'..." She maintains her control until the middle section of the last aria where presto e risoluto she loses it completely. RARA format with some stunning vocal writing.

Source: MS in the British Library

Range: c# - a''

Editor: Kate Eckersley & James Sanderson

Cantata à voce sola con violini
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D Scarlatti: Se fedele tu m'adori
Forces: soprano, violins & continuo

Source: MS in the Royal Music Collection now housed in the British Library.

Well, this girl is very open-minded, allowing Tirsi to love whomever he wishes (Nice, Clori, Egeria, Fille) because: The flighty bee is not content to long for the beautiful rose. If it can show itself a lover to other flowers, it wants to fly into the midst of them all...

Range: c' - a''

Editor: Kate Eckersley & James Sanderson

Cantata à voce sola con violini
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D Scarlatti: Tinte à note di sangue
Forces: soprano, violins & continuo

Source: MS in the Royal Music Collection now housed in the British Library.

A fiery piece full of recrimination and anger, then self-pity and despair - a little like life really!! "Written in blood, my betrayed heart sends these tormented words to you...think how much I have loved you, know that you are not mine, and weep for the pity of my plight"

Two recit and aria format, the last aria, similar to the Mancini setting of the same text, alternates fast and slow

Range: d - g'

Editor: Kate Eckersley & James Sanderson

Cantata à voce sola con violini
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Hasse: È ver, è ver mia Fille
Forces: alto, strings & continuo

Source: BL Add MS 14213 (only source)

Once again a young man's love is being rejected by a heartless shepherdess. 2 recit & arias format with a large dominant pedal presence!

Range: d - e'

Editor: James Sanderson

Cantata con violini
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Hasse: Infelice tortorella
Forces: alto, strings & continuo

Source: BL Add 14213 ff 37v - 48v (only source)

This a charming cantata with an opening ritornello vaguely reminiscent of the Vivaldi Gloria. Three movements: aria (larghetto e staccato), recitative and aria (allegretto)

The theme is Arcadian, this time the shepherd(ess) compares him/herself to the dove and the way it behaves when separated from it's love.

Range: a - e'

Editor: James Sanderson

Cantata con violini
£6.95
Hasse: Per palesarti appieno
Forces: mezzo-soprano, strings & continuo

Dated London, 1751 this cantata can be performed with either violins or flutes/recorders - it is unclear from the source as to which instrument was preferred (althoug if pushed I would probably lean towards flutes/recorders because of the instrumental writing in the first aria - Amoroso). The subject is a rather coy lady, probably in love with the Fileno to whom she speaks, but who knows?

Range: c' - f''

Editor: Kate Eckersley & James Sanderson

Cantata con violini
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Leo: Che farai, Lidia cara!
Forces: alto, strings & continuo

Sources: BL Add 31618 f20v - f38 and MS 22.g.9.8

The subject matter is Arcadian and concerns the unrequited love of a young man for Lidia. A string prelude 'Alla francese' with two recit and aria pairs. The arias are particularly beautiful.

Range: b' - f#''

Editor: James Sanderson

Cantata con violini
£5.95
Leo: Chiesta da numi a morte (L'Andromeda)
Forces: soprano, strings & continuo

Source: BL RM MS 22.g.9 (9)

From a copy in the Royal Music Collection thought to be the only one (Pastore), this is a wonderful piece with a flaw. It is missing the first two lines of text for the second recitative - odd! It works, however and the poetry balances without it. Something strange here so we have decided to make it available.

In 2 recit and aria form (arias con spirito e vivace and tempo giusto the second recit accompagnato) it describes the plight of Andromeda, her plaint to the Gods, the arrival of her erstwhile rescuer Perseus and his call to the Gods to have mercy. It is full of 'pre-classical' markers such as strong dominant pedals, greater chordal movement in accompanying parts, the use of chromatic melody, many dynamic markings and rapid changes from passages in tonic major and tonic minor.

Editor: James Sanderson

Cantata con violini
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Leo: Di contento di gioia e diletto (arr)
Forces: soprano, violins & continuo

Leo's Christmas cantata realised for violins, soprano and continuo. Two arias separated by a recitative, last aria is a particularly beautiful Siciliano.

Editor: James Sanderson

Cantata spirituale con violini
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Leo: Dite vedesti forse una donzella
Forces: soprano, violins & continuo

The never-ending search for Nice fills this virtuosic cantata. Lovely imagery including lions, tigers, waves and ships in RARA format. The first aria is full of pathos, calling for the nightingale, the second, following a recitativo accompagnato is fast and furious, a 'navigante' aria. with a range extending to high B flat, this is quite a piece of work!

Editor: James Sanderson

Cantata con violini
£5.95
Leo: Dove son, dove m'aggiro?
Forces: soprano, strings & continuo

Source: BL R.M. MS 22.g.9.6

A lovely work with some terrific chromatic melodic and bass lines mimicking the sighs of the disappointed lover - very experimental? This lover is totally confused and is suffering greatly from the vicissitudes of Amor.

Range: c - b flat''

Editor: James Sanderson

Cantata con violini
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Leo: Il Figliuol Prodigo
Forces: soprano, strings & continuo

Source: BL RM 22.g.9(4)

With a text written in the first person from the point of view of the Prodigal Son, this is a splendid example of both piety and inventiveness. Using all the chromatic skill typical of the so called 'Neapolitan School' Leo weaves an emotional musical story around the text. The form is (instrumental) introduction, recit, aria, recit, aria with a great deal of variation.

Range: d - g'

Editor: James Sanderson

The Prodigal Son
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Leo: Il Giudizio
Forces: soprano, strings & continuo

Source: BL RM 22.g.9(5)

A call to repent and follow Christ in this superb example of the genre. Substantial (Instrumental introduction, recit, aria, recit, aria - both recits secco and accompagnato).

Range: d - g'

Editor: James Sanderson

Cantata con violini: Justice
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Leo: Or ch'è dal sol difesa
Forces: soprano, strings & continuo

Source: BL Add 31618

In this delightful pastoral cantata, Angelica dallies in the fields and love is compared to all the flowers, but don't forget the thorns which also come with the most beautiful roses! The trials and tribulations of love in aria - recit - aria format.

Range: c# - a''

Editor: James Sanderson

Cantata à soprano solo con violini
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Leo: Sorge Lidia la notte
Forces: soprano, strings & continuo

Source BL Add 31618 - a manuscript conatining a number of orchestral cantatas by Leo in copies of varying quality.

The format is sinfonia - recit - aria - recit - aria and the general feel is that peculiar pre-classical sound with repeated bass notes and many pedals. A charming cantata in which the lover compare's the beloved's absence to the shadows of night. Very romantic!

Range: Bb - g'

Editor: James Sanderson

Cantata à soprano solo con violini
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Leo: Tormentoso pensiero
Forces: soprano, strings & continuo

Source: BL MS Add 31618

From a selection of Leo orchestral cantatas in copy, this is a charming example of the genre. Two recit and aria format, both arias in an extremely late baroque style.

The text deals with a young man's absence from his beloved Eurilla.

Range: d - b flat''

Editor: James Sanderson

Cantata à soprano con violini
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Leo: Vado dal piano al monte
Forces: soprano, strings & continuo

Source: BL Add 31618

Searching from field to plain the lover cannot find his beloved Clori and his sadness is killing him - the melodrama! Aah...

In aria - recit - aria format, the first a beautiful Larghetto the last a gracious Allegretto.

Range: e - a''

Editor: James Sanderson

Cantata à soprano solo con violini
£5.95
Mancini: Dir vorrei quel bel contento
Forces: soprano, violins & continuo

A charming cantata with strings by Mancini. Our protagonist has lost his love, but being pragmatic has resigned himself to the possiblity of the loss being permanent whilst still hoping for a reconciliation. In ARA format with lovely writing for both voice and strings.

Source is a MS in the collection of the Biblioteca del Conservatorio di musica S. Pietro a Majella – Napoli: Cantate 41 no 6.

Editor: James Sanderson

Cantata à voce sola con violini
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Mancini: La Rosa
Il bianco piè della più bella Diva

Forces: soprano, strings & continuo

A large and impressive work, this cantata contains an opening sinfonia, three recits and arias and, unusually, a solo cello line in the middle aria. The story of the first rose and how its beauty compares with that of Clori.

Range d' - g''

Editor: James Sanderson
Cantata à voce sola con violini
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Mancini: Quanto mai saria più bella
Forces: soprano, violins & continuo

Being compared to a stream may not be every girl's idea of a compliment, and Irene is no exception. Our young shepherd loves her, but is worried she is not faithful. Two arias surround a busy recitative and the key is in our shepherd's final words: If the heart is a traitor all the beauty of a lovely face cannot make me a lover!!

Editor: James Sanderson

Cantata à voce sola con violini
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Mancini: Se nascessero mille Amori
Forces: soprano, 2 violins & basso continuo

A really stunning example of the genre. In Aria - Recit - Aria and with some very lovely vocal lines, typical of Mancini at his best. It is the story of Eurillo and Clori and how the course of real love never runs smooth

Editor: James Sanderson

Cantata à voce sola con violini
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Mancini: Sotto l'ombra d'un faggio
Forces: soprano, violins & continuo

Beneath the beech tree this time is Dalindo in relective mood. He dwells on the pain of disdain and the 'soothing balsam of love'. In RARA format, the violins providing a ritornello in the first aria and an integral echoing role in the second siciliano aria.

Source: Münster Santini Sammlung HS 860

Range: e - b'' flat

Editor: James Sanderson

Cantata à voce sola con violini
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Porpora: Credimi pur che t'amo
Forces: soprano, strings & continuo

Written in July of 1712 this edition uses the autograph source in the British Library. Scored for two violins, soprano and continuo and dealing with the vagaries of love this is definitely an early work, very similar in style to parts of Flavio Anicio Olibrio and reflecting an older style of cantata. It starts with a three part sinfonia, followed by two recitative and aria pairs (the last a particularly beautiful Siciliano).

Editor: James Sanderson

Cantata à voce solo con violini
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Porpora: Ecco che il primo albore
Forces: alto, violins & continuo

From BL Add 14222

Prelude - recit - aria - recit - aria structure with great contrast in mood and style. Written in the period 1712 - 1715

Editor: James Sanderson

Cantata à voce sola con violini
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Porpora: Freme il mar
Forces: alto, violins & continuo

from an autograph manuscript in the British Library. Written in April 1720 (around the time of Porpora's first Roman successes) this is a very elegant piece in aria - recit - aria format dealing with poor old Fileno and his love for Nice.

Editor: James Sanderson

Cantata à voce sola con violini
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Porpora: Il Vulcano
Forces: soprano, strings & continuo

A stunning, large work with some really impressive vocal writing, both in the recitatives and the 2 arias. Opening with a Sinfonia in two parts, Vulcan bemoans Venus and her inconstancy. Not, perhaps, an ideal wife for him after all! The first aria, Largo is expressive and virtuosic and the final aria is appropriately fiery.

Editor: James Sanderson

Cantata à voce soprano con violini
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Porpora: Lasciovi al fin grandezze (Il Ritiro)
Forces: soprano, strings & continuo

Retreat from Love! A substantial cantata for soprano and strings from a MS in the Naples Conservatorio. The copyist's work has been corrected and amended by Porpora himself and there is a wealth of articulation, figures and text adjustments to work from. A two-part sinfonia is followed by a secco recit, aria with strings, accompagnato recit and a final pastorale-style aria with strings.

Editor: James Sanderson

Cantata à voce sola con violini
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Porpora: Or che d'orrido verno
Forces: soprano, flute, strings & continuo

A substantial cantata with a 2-part Sinfonia, then RARA, including a particularly beautiful Affettuoso aria on the theme of separation from the beloved and a virtuosic final aria railing against the sea.

Range: d - a'

Editor: James Sanderson

Cantata con flauto e stromenti
£6.95
Porpora: Venticel che trà le frondi
Forces: mezzo-soprano, strings & continuo

From a very clear contemporary copy in the British Library

A substantial cantata with a text concerning our old friends Tirsi and Clori.

Range c# - f' and would suit a low soprano or highish alto. Excellent largo to start and a dramatic accompagnato recit. The feel is similar to the Venetian motets.

Editor: James Sanderson

Cantata con violini
£5.95
Sotto l'ombra d'un faggio (collection)
A collection of three settings of the 'Sotto l'ombre d'un mirth' text, by Mancini, Leo and Porpora. A fun collection with much to offer. 2 continuo cantatas and one with violins. See the individual cantatas for previews etc.

The young man, perhaps unlucky and unhappy Tirsi, finds himself once more beneath the shade of a beech tree lamenting the cruelty of his beloved Dorinda. 2 recit and aria form with some stylish vocal passage work in both arias.

Collection of cantatas for soprano
£9.95
Vinci: Mesta oh Dio
Forces: soprano, violins & continuo

A delightful work showing all the hallmarks of Sgr Vinci's style - periodic phrasing, excellent melodic shape etc. Once again Fileno has upset his girl and she is not happy! ARA format with an opening aria full of pathos, a tremendous accompagnato recitative and a fiery and virtuosic final aria.

Range: d - b''

Editor: James Sanderson

Cantata con violini
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