Soprano

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Cantata à voce sola con stromenti d’arco
£5.95
Cantata à due, soprano e contralto
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à voce sola di soprano
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Cantata à soprano, violin solo, flauto, violoncello solo, e cembalo
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
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Cantata à voce sola di soprano con violini
£5.95
Cantata à voce sola di soprano
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Cantata à voce sola di soprano
£4.95
Cantata à voce sola di contralto
£4.95
Cantata à voce sola con violini
£4.95
Cantata à voce sola di soprano con violini
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Cantata à voce sola di soprano con violini
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola con violini
£5.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Cantata à voce sola di soprano
£4.95
Extraordinary setting of the Stabat Mater
£9.95
Cantata à voce sola di soprano
£4.95
A Scarlatti: Nel silentio commune di notte si tranquilla
Forces: soprano, 2 violins, viola & basso continuo

A great work based on the Petrarchan theme of the lover who sighs alone while nature sleeps. Beginning with a hushed recitative accompagnato, the cantata has a total of 4 recitatives and arias, portraying the lover's brightly-coloured dream of love returned. A handwritten version of this edition was premiered memorably in the 1980s by tenor Nigel Rogers for the BBC, with the Taverner Players

Range: d'-a''

Source: British Library, London

Editor: Rosalind Halton

Cantata à voce sola con stromenti d’arco
£5.95
A Scarlatti: Nò non ti voglio Cupido
Forces: soprano, alto & continuo

The changeable attitude to love certainly makes for a bright piece of music! The opening and closing duets (to the same music) projects two different moods - 'No I don't want it' and 'Yes, I do' Separated by two recits and arias, one for each voice.

Source: Münster Santini Sammlung HS 865(1)

Editor: James Sanderson

Cantata à due, soprano e contralto
£5.95
A Scarlatti: Non lasciar canora e bella
Forces: soprano & continuo

Charting the progress of the Swallow (Rondinella) from the Arno to the Tebro at the end of the Summer's heat, with some beautiful word painting (including fluting bird-song) and some quite stunning recitative - AS at his best in another of the 1704 cantatas. In ARARA format, starting with a gentle Siciliano, an Allegro in cut common time is the middle aria and the final aria is a lively 3/8.

Source: Münster Santini Sammlung 3907

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Notte cara, ombre beate
Forces: soprano & continuo

'Dear night, blessed shadows...I only enjoy my dreams and cry in the day...' Very much a nocturnal lover in one of Scarlatti's stunning night cantatas. Beautiful harmonies, sinuous dreaming vocal lines capturing that special air of quiet and suspense. In ARARA format and compiled from two copies in the Naples Conservatorio Library.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: O che mostro, o che furia è Lontananza (1709)
Forces: soprano & continuo

Text is by Cardinal Ottoboni: being apart is a monster, a fury, and always gives rise to jealousy. Arias are in B flat (very ornate) and C major (very cheerful and melodic), and the cantata finishes with a brief recitative, giving thanks for faithful love which can survive separation. Both arias have rewarding dialogue for voice and cello. RARAR format

Range: e flat'- g''

Source: British Library, Add. Ms. 34056

The whole manuscript contains settings of Ottoboni's texts.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: O pace del mio cor
Forces: soprano & continuo

O peace of my heart, where do you wander? So begins this delightful cantata, one of Alessandro Scarlatti’s most frequently copied. The principal source of this edition is held in the Royal College of London, Ms. 583, a copy in a Neapolitan hand. ARAR format.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Peno, e del mio penar
Forces: soprano & continuo

28 August, 1705, autograph source in New Haven, Yale (Scarlatti's 'cantata diary'). Penetrating melismatic recitatives, with final aria in Siciliano style. Scarlatti's complex chromatic style.

Range: e flat'- g''. C minor/F minor.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Poiche cessano alfin
Forces: soprano & continuo

range: e'-g'' The storms of love come to an end. The final aria 'andante amoroso' Siciliano is a great, touching example of the genre, and recitatives show the virtuoso declamatory style of Scarlatti at the height of his creativity. 2 recits, 2 arias.

Editor: Rosalind Halton

Cantata à voce sola di soprano
£4.95
A Scarlatti: Quando Amor vuol ferirmi
Forces: soprano & continuo

"When Love wants to hurt me, the traitor hides beneath your lashes..." The bitter-sweet torments of love in this delightful work from Münster Santini Sammlung HS 3915(2) - Hanley 588. In RARA format

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Quella pace gradita
Forces: soprano, violin, flute, cello, cembalo

This autograph cantata consists of 3 recitatives and 3 arias, with instrumental introduction for 2 paired groups - solo violin and cello, with answering recorder and harpsichord. Performance markings from the surviving partbooks have been incorporated. The unusual scoring gives each instrument in turn a starring role, ending with the recorder cooing of the turtle-dove in Aria 3.

Source: Münster Santini Sammlung

Range: d'-g''

Editor: Rosalind Halton

Cantata à soprano, violin solo, flauto, violoncello solo, e cembalo
£5.95
A Scarlatti: Questa, questa è la selva
Forces: soprano & continuo

A wonderful pastoral setting 'This is the forest...' but once again Nice is not being nice and is abandoning her lover. His cries and plaints, his promises of eternal love are all for naught as he is deserted... This is a really complex work with huge recitatives, RARA format.

From 5 sources in the Biblioteca del Conservatorio di musica S. Pietro a Majella - Napoli: Cantate 255 (26), 256 (7), 267 (6), 266 (62). There is also a copy in 264 (20) which pitches the recitatives a tone higher and the second aria in a minor rather than d minor.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: S'io t'amo s'io t'adoro
Forces: soprano & continuo

Dated on the first page as June of 1704. Amore is playing his tricks again and has had his usual effect! RARA format with a complicated first aria largo.

Source: Münster Santini Sammlung Hs 3907(2)

Range: d - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Scompagnata tortorella
Forces: soprano & continuo

Our litte turtle-dove is caged and kept away from his beloved again in this charming cantata and once again death is preferable to this continued condition of estrangement from the beloved! In ARA format.

Source: Münster Santini Sammlung HS 861

Range: e flat - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Silentio, aure volanti
Forces: soprano, strings & continuo

'Silentio, aure volanti - the pain of unrequited love in a sinuous cantata of the night. Arioso interwoven into a contrapuntal 4 part texture is a feature of this early work, whose central aria 'Piangerò' is a profound lament in C minor. 'Silentio, aure volanti' can be heard on 'Olimpia and other Cantatas by Alessandro Scarlatti', chacona (ABC Classics 461 687-2).

Range d'-a''.

Editor: Rosalind Halton

Cantata à voce sola di soprano con violini
£5.95
A Scarlatti: Solitudini care
Forces: soprano & continuo

Sources: BL Add MSS 14213 & 31509

Tirsi seems to be unhappy sotto l'ombra again, calling for his beloved Climene in this extraordinarily chromatic cantata Dall'occulto A.S.. In double recit-aria format with frequent tempo changes in the last aria.

Range: c - f#'

Editor: Kate Eckersley & James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Son contenta di soffrire
Forces: soprano & continuo

'I am content to suffer the cruelty of my beloved, because he means more to me than life itself' Yeah right! Another example of Alessandro Scarlatti's sinuous style, with some tremendous chromaticisms. ARA format.

Range: d - g

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Son io, barbara Donna
Forces: alto & continuo

Source: BL Add MS 14213 ff 84r - 87v

Clori's willful heart has wandered again and her lover reminds her that she will never find another as faithful as he. In double recit-aria format.

Range: c- d'

Editor: James Sanderson

Cantata à voce sola di contralto
£4.95
A Scarlatti: Su l’ora appunto (La Fenice)
Forces: soprano, violins & continuo

The phoenix which rises immortal from its ashes is the symbol of freedom from the bonds of love in this cantata - a mascot for the nymphs and shepherds of Arcadia. Aria 1 shows an unusual example of a theme from the Introduction being reworked into an aria. Arias in C major, G minor, A minor and B minor range from brilliant to pensive, robust to elusive, leading to the serene conclusion of the phoenix's ascent to heaven - in recitativo accompagnato.

Source: Münster, Santini Collection, HS.3928

Range: eb'-g''.

Editor: Rosalind Halton

Cantata à voce sola con violini
£4.95
A Scarlatti: Su'l margine d'un rio
Forces: soprano, violins & continuo

Su’l margine d’un rio is an immensely attractive work, less intense in both musical style and subject than many of Scarlatti’s cantatas. The shepherdess at the banks of a river does not feel inclined to waste herself on a lukewarm lover: “...learn to love, then come back to me if you like...”

Sources: Münster Santini Sammlung HS 3908, Paris, Bibliothèque Nationale, X-639

Range: d - b'' flat

Editor: Rosalind Halton

Cantata à voce sola di soprano con violini
£5.95
A Scarlatti: Su'l margine fiorito d'un limpido ruscello
Forces: soprano & continuo

In this large and complex cantata, the protagonist is sitting on the flowery banks of a limpid stream bemoaning the absence of his beloved. He calls to the waves and the wind in the first aria (adagio) to take his love to her, he sings how her image is carved on his heart in the second aria (à tempo guisto) and the final aria is a chromatically complex andante in cut common time. Dated 13th December, 1704 on the first page.

Source: Münster Santini Sammlung 3907(5)

Range: d - f'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
A Scarlatti: Tirsi e Clori (O come bello)
Forces: 2 sopranos & continuo

An early work with strophic arias sung in turn by the protagonists separated by recitative and concluding with a homophonic duet and the unaccompanied line 'com'è limpido quel rio'

Editor: James Sanderson

Cantata à due soprani
£5.95
A Scarlatti: Tu che una dea rassembri
Forces: soprano, violins & continuo

An paean to the beloved who '..resembles a goddess...' with eyes like archers and his heart the target. A considerable piece with string introduction, three arias and two recit/arioso movements.

Source: Münster Santini Sammlung HS 860

Range: d - g'

Editor: James Sanderson

Cantata à voce sola di soprano con violini
£5.95
Astorga: Aurora Idolo mio
Forces: soprano & continuo

Love, jealousy and a cieco Dio Amore who likes to shoot his arrows in the backside of anyone unsuspecting... "My punishment is to love..."

Source: Biblioteca del Conservatorio di musica S. Pietro a Majella - Napoli: Cantate 103 (06)

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Cangia loco, e cangia sorte
Forces: soprano & continuo

In the mistaken belief that removing himself from the presence of his love will make him feel better, our young shepherd learns a hard lesson about the power of love. In ARA format, both arias in the 'pathetic' style and the second making one wonder whether Handel had heard it...?

Source: Münster Santini Sammlung HS 859(2)

Range: d# - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Cara Lidia adorata
Forces: soprano & continuo

Using the old 'ship into harbour' story our young man tries to woo Lidia, but she's having none of it! "...Too cruel, too unfaithful..." he cries, but to what avail? In RARA format with two very 'spiky' arias, lots of chromatic twists in both arias and recitatives.

Source: Müs Santini Sammlung HS859(14)

Range: c - g'

Editor: James Sanderson
Cantata à voce sola di soprano
£4.95
Astorga: Che fai, che pensi, e che risolvi?
Forces: soprano, violins & continuo

The course of true love never runs smooth and in this delightful story of Aminta & Dorinda two emotions play in her heart - disdain and love - what will the outcome be? Dorinda will remain constant!

Source: (autograph?) in the British Museum RM.22.a.8(1)

Range: d - a''

Editor: James Sanderson

Cantata à voce sola con violini
£5.95
Astorga: Che Sisifo infelice
Forces: soprano & continuo

Just like pushing stones up-hill, maintaining a relationship! No matter how close or how far (this is a lontananza cantata) the pain is constant. "Distance only brings pain". A wonderfully sinuous first aria and a straighforward, no-nonsense final andante. RARA format.

Range: d - ab''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Clori, che un dì vantava costanza in petto
Forces: soprano & continuo

'Clori, who one day boasted of constancy in her breast and fidelity in her heart...' is not! Another setting of this poetry (see Mancini's), this time by the enigmatic Barone d'Astorga. In RARA format, this is delightful with some interesting challenges for the cellist.

Source: Biblioteca del Conservatorio di Music S Pietro a Majella, Naples.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: E pur dolce, dolce amore
Forces: soprano & continuo

Willing to die from the effects of love, but knowing of the inability of women to properly love or be faithful, our shepherd rejects the laughter of Cupid at his pains, knowing that a single glance from his beloved would give him the last laugh!

In ARA format with a affettuoso beginning and an allegro finish sourrounding a characteristically complex recitative this is an enjoyable and challenging example of the genre.

Source: Münster Santini Sammlung HS 859(1)

Range: f - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Ecco perfida Irene
Forces: soprano & continuo

This is taking the sacrifice for love just a little too far. Despite Irene's nastiness, her coldness, her viciousness her lover still wants to just die for her. Oh, please! In RARA format with a strikingly strong first aria in cut common time and a wonderful sinuous final largo.

Source: Münster Santini Sammlung HS 859(15)

Range: d - g'

Editor: James Sanderson
Cantata à voce sola di soprano
£4.95
Astorga: Fedeltà s'è tanto bella
Forces: soprano & continuo

A delightful cantata in ARA format. The lover bemoans Fille's inconstancy (yet again!) "I will escape Cupid's darts and Fille's glances and will live content in with my heart in freedom."

Range: d# - a''

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: In questo core
Forces: soprano & continuo

A wonderfully piece, full of twists and turns. ARA format with a first aria of many chromatic passages and keys. "Think for a moment on my constancy and my sincere love as I suffer these torments".

Range: eb to ab'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Non lasciarmi o bella speme
Forces: soprano & continuo

For once love and constancy is rewarded. Although the lover fears jealousy and distance from the beloved, 'hope springs eternal' for "...the distance between us is nothing when I know of your sweet constancy..." Some wonderfully chromatic moments in the first largo aria and the closing allegro is fully of rhythmic shifts.

Source: Santini HS 859 (last)

Range: e flat - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Poiche deggio partire
Forces: soprano & continuo

A simple motto for lovers everywhere characterises this piece - "If you are constant I will also be faithful...!"

In RARA format concluding with a lovely chromatic Siciliano (appropriate considering d'Astorga's background).

Source: Münster Santini Sammlung HS 859(12)

Range: e - g'

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
Astorga: Stabat Mater
Forces: SATB solo, SATB chorus, strings and continuo

d'Astorga's beautiful setting of the Stabat Mater for SATB solo, SATB chorus, strings and continuo.

Editor: James Sanderson

Extraordinary setting of the Stabat Mater
£9.95
Bigaglia: Se tu resisti ò cor
Forces: soprano & continuo

Source BL Add 14212 f75 - 81v

The figures are in a different hand to the manuscript copy (perhaps a later performer?). An attractive work with a very interesting 'left-footed' Siciliano to end.

Editor: James Sanderson

Cantata à voce sola di soprano
£4.95
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